10. Favorite Detail Ooh, this one's hard! I love leaving little Easter eggs in my designs. I'd say my favorite is putting my maker's mark on things! My imprint is Moonham Press (a fun mix of my usernames, chubsthehamster and chubsonthemoon), and the logo includes a little crescent moon. I'd actually been binding for about two years when I finally made the imprint--I used to think that it was...idk, kind of weird to put myself in the book? Like I was taking away from the story inside it. But then I got to thinking--well, hey, I'm the one who made this book, right? If nothing else, putting my mark on it tells someone who may pick it up one day that I was connected to this story. Some conversations with some folks at Renegade during Havencon 2022 also helped me embrace this. So these days I put my imprint logo in the typesetting, and I also put it on the cover somewhere! My favorite spots are either on the spine, between the title and author name, or on the back cover, in the bottom left corner :D
11. Spines Spines are the bane of my existence. Haha, jk. They're mostly just tedious, since they're one of the only parts of the process that still require precise measurement (I've cut templates for everything else by now, and I use my guillotine to cut boards, so that goes super fast). For my thicker books I use Bristol board; I actually still use the same sheets I bought in 2020 when I first started binding--I didn't know how much I would really need so I think I ordered four massive sheets which will probably last me for ten years LOL. For my thinner books, I use Davy board, which is a pain to cut but gives the book a really nice board feel. And for my paperbacks, the spine is just the cover, which I make out of kraft paper for the backing + the decorative paper (usually scrapbook paper or something I've designed and printed)
12. Mistakes/Fails Ooh BOY are there many. My most recent was my experiment with making a hardback quarto letter. I made the hinge waaaaay too small so when I tested the case the textblock was sticking out of it LOL. But I've been pretty lucky--this is only the second case I've had to remake in my time as fanbinder *KNOCKS ON WOOD*, but my printer fuck-ups when I was trying to figure out how to print on legal sized paper (since my printer doesn't duplex) probably make up for the luck I've had in the case department XD. Casing in, though--I think I've had maaaaaybe...two or three case-ins where I was completely happy with the results. A large part of this is because my guillotine doesn't cut completely straight, so my squares are never even LOL. But hey, I'm not getting paid for this, and I'm having fun, so eh.
13. Process Ooh, interesting! My process has remained largely unchanged--I think the only thing that has really changed is now the frequency at which I print. I used to print at a print shop, so I'd make typesets in large batches--usually two to four books, sometimes more (I think the most I've done at a time is five?), and I'd make a day out of it. Now that I have my printer at home though, I can do things in smaller batches! I can also test print things, so I've been able to get a lot more experimental with my books sizes and my covers. Everything else has remained largely the same--the first book I did I typeset in MS Word, but everything after that I've all done in Affinity Publisher. I typeset > print > bind > take pictures! I really like how different each step is (like I said, twelve different hobbies in a trench coat), so there's always something different to do if I get bored. My favorite parts are probably designing covers and sewing the signatures!
14. Storage solutions OUGH. I have one of those rollaway drawer thingies for all my tools, a dozen scrapbook paper containers, several large baskets for my vinyl and cloth, a hanging stand for my larger sheets of decorative paper, a standing desk which holds my Cricut and printer (a few of the aforementioned vinyl baskets are under this desk too), another rollaway basket thingy that holds my printing paper and my press (also under the standing desk), another desk which holds both my two guillotines and cutting mats (and under that desk are all my scrapbook paper containers and Cricut mats), and a final third desk where I keep all my sewing stuff and where I do my typesetting and other sitting-down parts of the process. And of course my shelves for all my books! This doesn't really give a sense of where everything is, but it's actually fairly organized, and for the most part I know where everything is (except for my FUCKING bone folder god that thing is always ending up in places I do not remember putting it XD)
15. Your Workspace Ah, see my answer to 14! I'll probably upload a photo here later XD
16. Dust jackets and covers Oooh, I've never made a dust jacket before--I don't think my printer could handle the wonky paper size that it requires, but they look really cool and I'd maybe be up for making one someday! And covers! Both my greatest love and my greatest enemy. They're super fun to design, but this is one part of the process that always feels like an uphill battle for me! There are so many skilled and talented folks in Renegade with GORGEOUS covers, and it's always a mix of being incredibly inspired and getting some design envy--but either way it's very motivating to keep me out of my comfort zone and to always keep trying new things. I use decorative paper and scrapbook paper mostly for the base material (although I've begun experimenting with designing things digitally and printing them out on Epson matte presentation paper), and then the rest is fuck it, we ball. I usually design the cover last, so I have an entire typeset and title page already when I begin, which makes things a little easier since I have an already established aesthetic to work with. My font selection is kind of determined by how small the text for the title/author name is, since my Cricut isn't great at cutting super small sizes (Times New Roman, funnily enough, is one of the only fonts that it can do at smaller sizes LOL so a lot of the text on my covers/spines are in TNR). I'm excited to keep improving and experimenting in this area!
17. Published inspiration Ooh!! This one's fun--when I first began making my Master pages in Affinity publisher, I literally grabbed the first few books I saw on my shelf and said 'alright, this looks good' and haven't looked back since LOL. Those books were Vintage's editions of Toni Morrison's novels, Picador's Gilead by Marilynne Robinson, Vintage's edition of Willa Cather's The Song of the Lark, Fall River's omnibus editions of Shakespeare and Sherlock Holmes's works, Penguin Classic's Deluxe edition of Jane Austen's novles, and a few others that I can't remember. I looked at all these books, found what they had in common (for example, a simple title page before the decorative title page, the use of a single graphic or design at the beginning of each chapter, etc.) and went with that! I don't usually take inspiration from specific books, EXCEPT for a project I'm currently working on which I'm super excited about :3 More TK here eheh
18. Illustrations FANART MY BELOVED. I LOVE including fanart in my books, because it's such a lovely demonstration of the communal nature of these stories and it's so fun getting to collect all the pieces. For free use graphics my favorite sites are Adobe Stock images and Heritage Library. Heritage in particular has a beautiful selection of free vintage graphics packs that I've used for years now. And very occasionally, wingdings fonts will have something I really like XD
19. Favorite tool Despite my gripes earlier about always misplacing it, I ADORE my bone folder. It's a funky lil dude and it makes all my edges nice and crisp! I can't wait for the retreat bone folder fufu :3 Also a very big fan of my guillotine, which despite its flaws makes my life a hell of a lot easier in the long run, as well as my presses, which were handmade by my dad and do their jobs very well (squiiiiiiish)
Days 10-19 Answers!
Ooh, this one's hard! I love leaving little Easter eggs in my designs. I'd say my favorite is putting my maker's mark on things! My imprint is Moonham Press (a fun mix of my usernames, chubsthehamster and chubsonthemoon), and the logo includes a little crescent moon. I'd actually been binding for about two years when I finally made the imprint--I used to think that it was...idk, kind of weird to put myself in the book? Like I was taking away from the story inside it. But then I got to thinking--well, hey, I'm the one who made this book, right? If nothing else, putting my mark on it tells someone who may pick it up one day that I was connected to this story. Some conversations with some folks at Renegade during Havencon 2022 also helped me embrace this. So these days I put my imprint logo in the typesetting, and I also put it on the cover somewhere! My favorite spots are either on the spine, between the title and author name, or on the back cover, in the bottom left corner :D
11. Spines
Spines are the bane of my existence. Haha, jk. They're mostly just tedious, since they're one of the only parts of the process that still require precise measurement (I've cut templates for everything else by now, and I use my guillotine to cut boards, so that goes super fast). For my thicker books I use Bristol board; I actually still use the same sheets I bought in 2020 when I first started binding--I didn't know how much I would really need so I think I ordered four massive sheets which will probably last me for ten years LOL. For my thinner books, I use Davy board, which is a pain to cut but gives the book a really nice board feel. And for my paperbacks, the spine is just the cover, which I make out of kraft paper for the backing + the decorative paper (usually scrapbook paper or something I've designed and printed)
12. Mistakes/Fails
Ooh BOY are there many. My most recent was my experiment with making a hardback quarto letter. I made the hinge waaaaay too small so when I tested the case the textblock was sticking out of it LOL. But I've been pretty lucky--this is only the second case I've had to remake in my time as fanbinder *KNOCKS ON WOOD*, but my printer fuck-ups when I was trying to figure out how to print on legal sized paper (since my printer doesn't duplex) probably make up for the luck I've had in the case department XD. Casing in, though--I think I've had maaaaaybe...two or three case-ins where I was completely happy with the results. A large part of this is because my guillotine doesn't cut completely straight, so my squares are never even LOL. But hey, I'm not getting paid for this, and I'm having fun, so eh.
13. Process
Ooh, interesting! My process has remained largely unchanged--I think the only thing that has really changed is now the frequency at which I print. I used to print at a print shop, so I'd make typesets in large batches--usually two to four books, sometimes more (I think the most I've done at a time is five?), and I'd make a day out of it. Now that I have my printer at home though, I can do things in smaller batches! I can also test print things, so I've been able to get a lot more experimental with my books sizes and my covers. Everything else has remained largely the same--the first book I did I typeset in MS Word, but everything after that I've all done in Affinity Publisher. I typeset > print > bind > take pictures! I really like how different each step is (like I said, twelve different hobbies in a trench coat), so there's always something different to do if I get bored. My favorite parts are probably designing covers and sewing the signatures!
14. Storage solutions
OUGH. I have one of those rollaway drawer thingies for all my tools, a dozen scrapbook paper containers, several large baskets for my vinyl and cloth, a hanging stand for my larger sheets of decorative paper, a standing desk which holds my Cricut and printer (a few of the aforementioned vinyl baskets are under this desk too), another rollaway basket thingy that holds my printing paper and my press (also under the standing desk), another desk which holds both my two guillotines and cutting mats (and under that desk are all my scrapbook paper containers and Cricut mats), and a final third desk where I keep all my sewing stuff and where I do my typesetting and other sitting-down parts of the process. And of course my shelves for all my books! This doesn't really give a sense of where everything is, but it's actually fairly organized, and for the most part I know where everything is (except for my FUCKING bone folder god that thing is always ending up in places I do not remember putting it XD)
15. Your Workspace
Ah, see my answer to 14! I'll probably upload a photo here later XD
16. Dust jackets and covers
Oooh, I've never made a dust jacket before--I don't think my printer could handle the wonky paper size that it requires, but they look really cool and I'd maybe be up for making one someday! And covers! Both my greatest love and my greatest enemy. They're super fun to design, but this is one part of the process that always feels like an uphill battle for me! There are so many skilled and talented folks in Renegade with GORGEOUS covers, and it's always a mix of being incredibly inspired and getting some design envy--but either way it's very motivating to keep me out of my comfort zone and to always keep trying new things. I use decorative paper and scrapbook paper mostly for the base material (although I've begun experimenting with designing things digitally and printing them out on Epson matte presentation paper), and then the rest is fuck it, we ball. I usually design the cover last, so I have an entire typeset and title page already when I begin, which makes things a little easier since I have an already established aesthetic to work with. My font selection is kind of determined by how small the text for the title/author name is, since my Cricut isn't great at cutting super small sizes (Times New Roman, funnily enough, is one of the only fonts that it can do at smaller sizes LOL so a lot of the text on my covers/spines are in TNR). I'm excited to keep improving and experimenting in this area!
17. Published inspiration
Ooh!! This one's fun--when I first began making my Master pages in Affinity publisher, I literally grabbed the first few books I saw on my shelf and said 'alright, this looks good' and haven't looked back since LOL. Those books were Vintage's editions of Toni Morrison's novels, Picador's Gilead by Marilynne Robinson, Vintage's edition of Willa Cather's The Song of the Lark, Fall River's omnibus editions of Shakespeare and Sherlock Holmes's works, Penguin Classic's Deluxe edition of Jane Austen's novles, and a few others that I can't remember. I looked at all these books, found what they had in common (for example, a simple title page before the decorative title page, the use of a single graphic or design at the beginning of each chapter, etc.) and went with that! I don't usually take inspiration from specific books, EXCEPT for a project I'm currently working on which I'm super excited about :3 More TK here eheh
18. Illustrations
FANART MY BELOVED. I LOVE including fanart in my books, because it's such a lovely demonstration of the communal nature of these stories and it's so fun getting to collect all the pieces. For free use graphics my favorite sites are Adobe Stock images and Heritage Library. Heritage in particular has a beautiful selection of free vintage graphics packs that I've used for years now. And very occasionally, wingdings fonts will have something I really like XD
19. Favorite tool
Despite my gripes earlier about always misplacing it, I ADORE my bone folder. It's a funky lil dude and it makes all my edges nice and crisp! I can't wait for the retreat bone folder fufu :3 Also a very big fan of my guillotine, which despite its flaws makes my life a hell of a lot easier in the long run, as well as my presses, which were handmade by my dad and do their jobs very well (squiiiiiiish)